Sundance 2013 - Day Four (The Final Day) - Once More Unto The Breech

Brooklyn, NY – Express Shuttle took Peter and I from Park City to the airport. As the van wound down the mountains, I felt something that I assume a lot of people feel: Next year, I want to come back with an Official Selection for Sundance 2014.

This series of blogs is actually part of that long process. It represents the ‘soft launch’ of my new website – EGGWORK.COM. My goal is to build an audience for my work. I encourage you to submit your E-mail or connect through social media (see above), & keep coming back to the site. The simple (& free) act of commenting below, “Liking”, Tweeting, or subscribing goes along way.

Thanks, Matt

P.S. I never went skiing.

Mountain Pass

1:50 PM – High West Whiskey & Saloon

Back to the distribution lecture (#ArtistServices). Yes, it’s at a whiskey factory, but they’re only serving lemonade. Hard to focus on a power point presentation while full of rye.

However, I did take a break to see my first film at Sundance (on my 4th and final day here). It’s called Emanuel And The Truth About Fishes. It’s a haunting drama with Alfred Molina and Jessica Beal. It was produced by MRB Productions, a forward thinking company who are doing amazing work.

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7:35 AM – Westgate Shuttle

All right, the title for today is a little dramatic, but it’s cold and I have zero coffee in me. Zero.

Big thanks to Tim, Rich, & Nora from the NY Film Office for a lovely dinner last night. We had three tables of Western New York film folks at Red Stone Brewery. Good times.

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Sundance 2013 – Day Three – Grind It Out Time

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12:19 PM – Sundance Filmmakers Lounge

Full disclosure. I don’t have a film in the festival…this year. I have in the pass & that gets you a laminate. That allows you access places like the Filmmaker Lodge and, better yet, the ASCAP Music Cafe where I’ll get to see Sea Wolf. OMG! They’re playing You’re A Wolf by Sea Wolf as I type this. Dig.

But here’s a not-so-secret secret: You can buy a pass. My friend Peter went through the process and scored us two passes. So if you do decide to attend the festival, I recommend doing the same. It’s a much better experience.

11:09 AM – Condo

Pete is watching the Sabers. I just watched Clint Dempsey score an extra time goal for the Spurs to tie the game with Manchester United. And there’s some American football games on apparently. I guess. I just can’t find any cable sports shows that are previewing the NFL games at all. SARCASM! As you can imagine, it’s hard to keep wandering around in these high altitudes day after day without getting tired. I know, stop whining. Onwards and upwards!

So here’s something funny from yesterday. I was in the HitRecord.com room and Joseph Gordon-Levitt walked in with his camera rolling. I didn’t think much of it at the time as I was too busy trying to be a sophisticated New Yorker and pretend to ignore the famous person in the room. I failed. I couldn’t help take a picture of my friends Chris & Peter, knowing full well that Mr. Levitt was in the background.

Levitt in the background

Here’s the funny part. Mr. Levitt captured me in the background during his filming.
regularjoe

HEY! I never signed a release! Here’s a link to the video:http://www.hitrecord.org/records/1115070
It’s only fitting I got in somebody’s shot. The overload of people documenting there experiences here at Sundance through the tiny prism of their phones & cameras is overwhelming. Must be sure to stop, be in the moment, & smell the roses (& then Instagram sed roses).

Sundance 2013: Day Two – Full House

4:10 PM – Sundance Filmmakers Lounge

Holy crap! You never know who you will bump into at Sundance. I had the pleasure of meeting, Jeff Dowd – the real life inspiration for “The Dude” from The Big Lebowski. He invited me to a concert Monday featuring Jonathan Batiste. If you’re in town it’s at 573 Main Street at The New York Lounge (http://jonathanbatiste.com). See you & “The Dude” at the show…man.

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11:18 AM – New York Film Coffee Clutch

NY in the house! Good lecture on post production. Much thanks to Nora and the rest of the NY Film Office team for the complementary bagels and coffee. Fuel good.

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10:43 AM – Yellow Shuttle Bus

It’s packed in here. How much ironic facial hair & arty glasses can one bus hold? In addition to Sundance it’s a holiday weekend, so the town is packed.

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Sundance 2013: Day One – Hello, Park City

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The HitRecord.org office was thine bomb. You should check them out. It’s a collaborative collective looking for artists (like you). Visited with Peter Flanigan & Chris Hogan-Roy (pictured). Also pictured, Joseph Gordon Levitt (in the back). Let the name dropping begin!

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1:00pm – Sundance Lodge

I’m told the Ustream embed is not working too well. Also told you have to suffer through a commercial. Apologies on both counts.

Attending a lecture by Gael Garcia Bernal & Robert Reich.

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Well folks, the ride through the mountains was lovely, but getting enough bandwidth to go live using UStream was impossible. Stay tuned. Ill try again when I get some wifi. In the meantime here’s a Hipstamatic pix.

How To Sundance: Your Guide To Film Festival Networking

Welcome to Utah, weary traveler. Your festival adventure is about to begin. That is, once you get out of Salt Lake City – the driest city on the planet. Good luck trying to get a drink there. Park City is 45 minutes away. During the festival the town is overrun by industry, transforming it to what I like to call: Dime A Dozen-Ville.

You may notice a distinct lack of pollution in the air. Do not panic. This is normal. You may relax and breath fully, using that extra area of lung that only Mormons know about.

Now the first thing you will need is a laminate. No, not lament, as in, “I lament my film didn’t get in the festival.” A lamanent is a plastic ID hung around the neck with a lanyard. Essentially, it’s proof of your existence during the festival. Without one you might as well stay home.

Just like a name tag at a corporate retreat, laminates display everyone’s name. A seasoned festival goer won’t look you in the eye when you first meet. They’ll look at the name on your laminate, determine if you’re a “somebody”, and then decide if you’re worth talking to. They’re not being rude, it’s all part of the dance.

Sundance gives laminates to their accredited filmmakers. They also sell them to film industry professionals, such as sales agents, for lots of money. They color code them for convenience. One color for filmmakers, another for more important people, like studio film buyers. So now you don’t even have to read the person’s name. It’s perfectly acceptable to completely ignore the person in front of you simply because of the color of their badge.

So if you don’t have a laminate, make one. Go to Staples and get some laminating sheets. Use Photoshop, magic marker, whatever you got to MacGyver that shit. Then use a pair of shoe laces for the lanyard.

badgeThe next thing you’ll need is a smart phone with the IMDB app. If you’re a filmmaker who doesn’t know what IMDB is, stop reading this and take up painting. Internet Movie Database is Hollywood’s bible of who’s who in film and TV. Only accredited films, ones with real distribution or a festival appearance, and the people who worked on them make the database. You’re nobody if you’re not somebody on IMDB. A top notch festival networker can read the name off your laminate, look you up on IMDB, & determine the value of your accumulated credits, all before they’re done shaking your hand. So get some credits on IMDB or consider assuming the identity of someone with lots of credits. Just pray that person isn’t in Park City. At this point I’m obligated, by court order, to once again apologize to Mr. Edward Burns. Is it my fault drunk people mistake me for him?


What else? Oh, yes. Apparently you can ski in Park City. This will be my fourth trip to Sundance & I have yet to try so much as the bunny hill.

Time to rest up at La Quinta for my assault on Park City. Stay tuned.

Matthew Ehlers is a New York City filmmaker and wise ass. He has been accepted to Sundance three times & truly loves the festival. He hopes no one from The Sundance Institute reads this. But if they do, Matt hopes they enjoy satire.